Gradually getting to know people in Jiangnan, the past in Guanzhong three thousand years ago
Fufeng City is located in Guanzhong. It belonged to the Jiang tribe during the Yan Emperor's time and the Qibo tribe during the Huang Emperor's time. It was the place where Longxing flourished in the Zhou Dynasty for 800 years and the majestic Famen Temple was located. The history and culture are as rich as bronzes - the Dake Ding, the Ding Yu Ding, and the Mao Gong Ding are all derived from this, and they are important weapons of the country. This exhibition at Linhai Museum includes many bronzes from Fufeng City. The past events in Guanzhong are slowly narrated in Jiangnan today, and gradually become known to people.
In a place like Fufeng, three hundred meters down from the ground is history, layered like a thousand-layer cake. Quanzi Feng'er also has the word "wind" in his name. I happened to browse the Linhai Museum's tweets at noon. There was an exhibition of bronzes, some of which were from Fufeng County. The name was nice and quaint. Ask him if he is going? Help you ride the wind, and the spring breeze takes advantage of the opportunity to travel. "Shaoyou" is the word we gave him, which means young travel. Feng'er nodded and said he was good, and ordered to lead the way.
The museum is very close, and it only takes a moment to arrive. It is surprisingly crowded, and it is as lively as the Shanghai Museum. People from all walks of life were lying in front of the display cabinets in deep contemplation. There was even a guide leading a team. The player was reciting the explanations of the artifacts skillfully, and a group of people followed. Among them were children making trouble, mothers chasing them, adults making noises, and a bald man. Every time they came to an artifact, they would ask what it was, making the tour guide's voice sound like a mosquito, almost inaudible. Linhai Museum has not been so busy for a long time. The first few times I went there, I was the only one. It was good and bad. The good thing was that you could look at the good objects quietly. The bad thing was that there were too few people to see the good objects.
Ancient artifacts have been passed down through the world for thousands of years. It is a blessing to go to a museum and see them face to face. I think the most important thing is not to take a closer look, but to stand in front of them and say sincerely that I am honored to meet you. , as a passer-by, my main purpose of coming is to show my respect to you in person.
This exhibition is called "Buqi", and there are 18 precious bronze cultural relics, many of which are national treasures. Looking at the artifacts, it seems that the Shang and Tang dynasties still had tribal traces, while the Zhou dynasty established a sense of civilized order and formulated standardized usage of etiquette. In comparison, one believes in God and the other is more willing to believe in himself. Businessmen will be more indulgent, because they think that as long as we offer sacrifices properly, God will forgive us. King Zhou probably thought this way back then, so he did all the unbelievable bad things. Zhou people were different. Etiquette and laws were formulated by themselves. Those who violated the rules and did bad things could be forgiven by themselves. After all, they were still a minority.
Therefore, although Shang and Zhou are often referred to together, the utensils are quite different in temperament. In the Shang Dynasty, the beasts were as powerful and flamboyant as wild beasts in the wild and flying dragons in the sky. In the Zhou Dynasty, the beasts were brought home and domesticated. The charm here is very different.
These artifacts from three thousand years ago have witnessed the debauchery of many princes and nobles and the vicissitudes of historical events. If objects can also retain memories, and are sealed in these objects that are only ten centimeters away from us, its memory, its perception, and its energy have lasted for thousands of years, which is enough to make us sincere and humble.
At the entrance of the exhibition hall is a large Liangzhu jade, placed alone in a glass cabinet, showing its ancient vicissitudes and illuminated by artificial lights. This piece of utensils made by people from primitive tribes using the most primitive tools has simple patterns of grinding or the germination of words. It reminds me of the dusk of a certain tribe: the great wizard held it up and asked the sky. Reciting the incantation, you can use it to communicate with the gods and get instructions to protect the village. People from the entire tribe are crawling around, including warriors, nobles, and slaves. Then these obtained oracles were drawn into patterns and ground on jade.
This jade from more than 5,000 years ago is now in a glass cabinet, enjoying the careful care of various modern equipment. I don’t know how long it has not seen the sun and the moon. Absurd solemnity, or vice versa. When I noticed that it was a little unwilling, I knelt down in front of it before going out, lowered my eyebrows, took off my hat, and bowed sincerely.
