Shanghai Conservatory of Music launches a series of cultural exchange activities between China and France: a "two-way rush" for cultural exchanges

Release time:May 10, 2024 16:37 PM

On May 10, the moving melody sounded in the "Mirror Hall" of Shanghai City Concert Living Room. Teachers and students of the Shanghai Conservatory of Music and French artists presented piano solos, guzheng solos, female solos, string quartets, piano four-hands and other performances for the ongoing "River of Music - 2024 Shanghai Conservatory of Music Sino-French Cultural Exchange Series" "Activities" add to the diverse charm of Sino-French exchanges.

This year marks the 60th anniversary of the establishment of diplomatic relations between China and France and the China-France Cultural Tourism Year. Since February 9, Shangyin has planned a series of 2024 Sino-French cultural exchange activities, a total of 24 events. Among them, many activities are eye-catching: the famous French chamber music group Arode Quartet performs; China and France jointly produce the opera "Carmen" to commemorate its 150th anniversary; the "Sino-French Cultural Exchange" series of academic lectures by young scholars will also be held one after another . In addition, the Shanghai branch of the Orleans International Piano Competition in France will kick off on May 11-12.

Isabella Vasilota, artistic director of the Orleans International Piano Competition in France, said that 2024 marks the 60th anniversary of the establishment of diplomatic relations between China and France and is also the 30th anniversary of the Orleans International Piano Competition. In her opinion, the competition is "a beautiful encounter" between Chinese and French cultures. "This competition has always maintained close ties with China. In the past three decades, many Chinese players have participated in the competition. I look forward to discovering more new works and piano talents at the competition in the future."

In addition, this year's competition also specially sets up the "Shanghai Conservatory of Music Composer Special Award", which will help promote the modern and contemporary music works of Chinese composers internationally.

Talking about the significance of the series of activities, Pei Xiaoqian, Secretary of the Party Committee of Shangyin, mentioned that President Xi Jinping emphasized during his just-concluded third state visit to France that "China and France are both cultural countries, and both sides must speed up people-to-people and cultural exchanges in a 'two-way rush' and continue to Organize various activities of the China-France Culture and Tourism Year well.”

In recent years, the cultural craze between China and France has continued to heat up. Jin Lei, deputy director of the Shanghai Municipal Culture and Tourism Bureau, said, "Shanghai, as an important bridge for friendly exchanges between China and France, will successively host a number of French cultural and artistic activities to bear witness to the friendship between the two countries."

"The River of Music - 2024 Shanghai Conservatory of Music Sino-French Cultural Exchange Series"

In the "Mirror Hall" of the Shanghai City Concert Living Room, Hao Duanduan, associate professor of the Piano Department of Shangyin University, performed the piano prelude "Moonlight Manting the Courtyard", which made the audience fall into a deep and beautiful dream. "The moon" is a common image in Chinese and French culture, representing the unknown and mystery. Both ancient poets and musicians have done enough homework on the "moon". Hao Duanduan said that he chose this Debussy piece because "'Moon' has an additional meaning in Debussy's heart, representing his longing for Far Eastern culture. Debussy's thoughts on Far Eastern culture "The dream" could not be realized in his time. But today, with the multiple cultural exchanges between China and France, Debussy's "dream" has truly become a reality. "

Li Lian, a master's student in the Department of Ethnic Music, is a 25-year-old girl of mixed Chinese and French descent. Li Lian, who grew up in a Chinese-French bilingual environment, was deeply impressed by the sound of the guzheng for the first time when she was 7 years old. Now she has moved from amateur studies to a professional path and came to Shangyin to study folk music. "Chinese national musical instruments and traditional music are full of charm and attraction for me. For example, the guzheng alone, the guzheng music from Zhejiang, Shaanxi, Henan, Shandong, and Chaozhou all have their own characteristics. These charming traditional music vocabulary are what I want to learn the most. Moreover, Shangyin teachers will also take me to various places to collect music, which is very valuable experience.”

Li Lian played the guzheng piece "Layers of Water". This piece is a modern guzheng piece created by Mr. Tao Yimo. It was premiered in Europe in 2013. It delicately depicts the trickling water, layers of ripples, surging and endless waves. Li Lian hopes, "Music is like water, one wave after another."

The river of music flows endlessly, symbolizing the long-standing friendship between China and France. Through a series of activities, Shanghai Conservatory of Music hopes to promote the multi-disciplinary linkage of "teaching, creation, performance and research", discover and cultivate top innovative artistic talents, expand Shanghai Conservatory of Music's overseas influence, cultural dissemination and international competitiveness, and bring China and France closer through the power of music. The distance of cultural exchanges promotes friendly cooperation between the two countries.

Liao Changyong, president of the Shanghai Conservatory of Music, said: "Sino-French music and cultural exchanges have profound historical roots. Through in-depth exchanges and resonance, Chinese and French musicians will tighten the common bond of cultural exchanges and cooperation and build a community with a shared future for mankind."

An exhibition reminds us to maintain a keen perception and reverence for all things, standing in the contemporary development of traditional culture | vision | tradition
An exhibition reminds us to maintain a keen perception and reverence for all things, standing in the contemporary development of traditional culture | vision | tradition

The Shanghai Jiushi Art Museum has successively launched an exhibition season of "Traditional Culture in the Contemporary Era", which includes visual interpretation of Go and artificial intelligence, integration of traditional culture such as kindness, propriety, elegance, and literary fashion with modern art, and new interpretation of works by middle-aged and young calligraphers. This is also a case worth studying that has been cultivated in the art ecology of Shanghai in the past two years. Among them, the exhibition of project achievements supported by the National Art Fund, "Accumulation, Flowing, Broadness, and Elegance - Chinese Traditional Culture and Contemporary Art Creation Exhibition," is the most worthy of promotion. The exhibition is hosted by the Central Academy of Fine Arts and is held in three cities: Shanghai, Beijing, and Shenzhen. The interesting thing about this exhibition is that if you only look at the name of the exhibition or take a quick look around the exhibition hall, you will think it is a traditional "handicraft" exhibition. Only by further understanding the curatorial intention and art

Big Zero Bay Library Holds a Series of Science Popularization Reports, How "National Treasures" Sail towards Deep Blue China | Aircraft Carrier | Deep Blue
Big Zero Bay Library Holds a Series of Science Popularization Reports, How "National Treasures" Sail towards Deep Blue China | Aircraft Carrier | Deep Blue

"Telling a good story of Chinese path to modernization through science popularization -2023 big hand in small hand science popularization report collection", a series of important national activities, was recently launched in Minhang District's Big Zero Bay Library. During the summer vacation, this series of activities will be themed "China's Far Away Ship, Pursuing Dreams and Setting Sail", and will hold interesting knowledge popularization lectures on aircraft carriers, supply ships, hospital ships, nuclear submarines, mine warships, amphibious assault ships, cruise ships, research ships, liquefied gas ships, and many other ships, stimulating the curiosity, imagination, and exploration desire of young readers. A new round of technological revolution and industrial transformation is reconstructing the world and reshaping life. Aircraft carriers, domestically produced large aircraft, Tianwen-1, China's Tianyan, quantum computers... each of these "national treasures" provides impetus for China's development. Taking ships as the main theme, "China Association for Science and Technology's Big Hand Pulls Small Hand Science Popularization Report"

Beijing Film Academy teachers and students launch a new drama "YOU | Theater | Stage" on the Shanghai stage
Beijing Film Academy teachers and students launch a new drama "YOU | Theater | Stage" on the Shanghai stage

Starting from June 30th, the play "Building 8 in Xiangyangli", jointly created by more than 20 outstanding teachers and students from the School of Performance of Beijing Film Academy, will be staged at YOUNG Theater. As the second work in the "Xiangyang Series" of Beijing Film Academy, "Xiangyangli Building 8" vividly presents the scene of Beijing's people's livelihood in the 1980s, with Xie Song and his family living in the Guanzi Building as the main characters. In "Building 8 in Xiangyangli", Xie Song, his family, and two other households live together in the unit room of Building 8 in Xiangyangli, each occupying only a dozen square meters and sharing a kitchen and toilet. One day, the news that the unit was going to split houses disrupted the original balance. The three families are secretly rubbing their hands and hoping to obtain this unique allocation indicator. In the same era, many things are common. In the early stages of reform and opening up, the material life of the whole country was at the same level.

Bringing more people closer to traditional Chinese opera, this Shanghai Julu Road Flash Event | Yue Opera | Shanghai
Bringing more people closer to traditional Chinese opera, this Shanghai Julu Road Flash Event | Yue Opera | Shanghai

On June 22nd, a group of white-collar workers and parent-child families who are interested in Yue Opera walked into the pop-up store at 812 Julu Road to participate in the SMG LIVE THEATRE x Youth Daily "Cheers! Yue Sheng Huo" pop-up event during the Dragon Boat Festival. While doing handicrafts, they enjoyed the screen playing clips of famous Yue Opera masters and experienced the charm of traditional Chinese opera art. Young guests use twisted sticks, beads, tassels and other raw materials to create their favorite opera helmets. Set up humanoid check-in points at the event site, where everyone can use twisted sticks to create classic makeup of Yue Opera. In addition, you can also try on twisted stick versions of Yue Opera hair accessories, take photos, and interact with friends on social media. Mr. Wang, a fan of Yue Opera, graduated from Fudan University and first met Yue Opera on campus. He, who is currently engaged in marketing, stated that he will integrate Chinese style, traditional culture, and modern promotion

Their heirs recreate classics, with two actresses collaborating for 50 years to sing | Qi Yaxian | Two
Their heirs recreate classics, with two actresses collaborating for 50 years to sing | Qi Yaxian | Two

In February 1950, the master of Yue Opera, Qi Yaxian, formed a cooperative Yue Opera Troupe in Jing'an, Shanghai. She was skilled in portraying kind, gentle, and passionate women, and developed and changed on the basis of the Yuan style singing style, forming a lingering, gentle, simple and profound "Qi School". In 1951, Bi Chunfang, who was one year older than Qi Yaxian, joined the cooperative Yue Opera Troupe. Bi Chunfang is skilled in comedy, performing gracefully and elegantly. Her singing style incorporates the tones of Yin Guifang and Fan Ruijuan, and her voice is clear and elastic, earning her the nickname "Bi School". The two individuals with complementary advantages worked together for 50 years until the death of Qi Yaxian. Qi Bi's representative works, such as "The Legend of the White Snake," "Blood Handprints," "Jade Hall Spring," "Jade Dragonfly," "King Tiger's Marriage," "Three Laughs," and "Selling Oil Man," have been talked about by theater fans to this day. In July, Shanghai Meiqi Grand Theater will hold a "Yue Sheng" Jing'an - Master of Yue Opera Qi Ya