"The Apocalypse of Pretending" uses "pretending" to raise social topics among young people

Release time:Apr 23, 2024 23:55 PM

From "I'm Good in a Foreign Country" to "Apocalypse", a number of high-quality realistic TV dramas with youth themes are emerging. "The Apocalypse of Pretending" tells the story of today's young people moving forward bravely. On the 20th, a seminar was held in Beijing.

"The Apocalypse of Pretending" takes the emotional development of urban men and women as the main line. Through the description of the workplace ecology and the discussion of intimate relationships, it shows the self-pursuit of the Beipiao group and reflects the current life situation of the youth group. With a unique perspective, the play uses "pretending" to throw multiple real-life issues such as love, workplace, and life to the public, and also expresses thoughts on consumerism, feminism and other cultures.

Zhong Chengxiang, a librarian at the Central Research Institute of Literature and History and a well-known literary critic, believes that the play starts from the perspective of Chinese aesthetic spirit, and its thinking on intimate relationships not only contains traditional Chinese philosophy, but also keeps pace with the times and integrates into the new era. Annotations present the new understanding and interpretation of contemporary young people's views on love and marriage.

Li Jingsheng, vice president of the China Federation of Radio and Television Social Organizations, pointed out that "The Pretender Apocalypse" is a successful attempt for film and television to absorb nutrients from literature. "It integrates literary artistic expression into the presentation of film and television dramas." For example, using the inner monologue of the heroine to show the delicate psychology of the character, and using unique lens language to show real modern urban life is a relatively novel artistic concept.

Yang Chenghu, deputy dean and professor of the School of Art and Media at Beijing Normal University, believes that "The Pretend Apocalypse" focuses on the workplace dilemmas commonly encountered by urban youth today, providing inspiration for young people and finding the motivation to strive forward. The warm background of the work shows the sparkle and beauty of Chinese cultural values.

Lu Fan, director of the Audio and Video Office of the Center for Integrated Media of Peking University and deputy director of the Television Research Center of Peking University, believes that this drama effectively integrates "workplace and love", "pretending and inspiration". While demonstrating the director's creative skills, It also provides inspiration for how to solve current realistic themes.

He Tianping, deputy secretary-general of the Film and Television Arts Professional Committee of the China Television Arts Exchange Association and associate professor of the School of Journalism at Renmin University of China, pointed out that the creation of "Pretending to Revelation" depicts the mental journey of contemporary young people to find a sense of certainty when faced with various uncertainties. , by constructing a relatively complete and self-consistent field of empathy, allowing the audience to enter and gain inspiration, is a valuable creative attempt.

According to Li Mo, the director of the play, "Care about the problems of the current era, care about the unsolvable dilemmas in everyone's lives, and give everyone some ideas and thoughts through the play are the concepts that need to be adhered to when creating reality-themed TV series." He hopes to Every moving place that we see in the current era and that makes everyone feel is conveyed to everyone through the works.

Cai Wenjing, who plays Tang Ying in the play, said: "Tang Ying is the epitome of many people's lives. Seeing Tang Ying after taking off the disguise is like seeing myself. She made me understand that seeing yourself is the key to success in life." One of the most important propositions.”


"The Apocalypse of Pretending" uses "pretending" to raise social topics among young people
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